BRIGHT & STORMY

The last time the Beachbum found himself in British Columbia, well-nigh ten years ago, the region’s classic Tiki bars had sailed away like Captain Cook after the Yuquot Indians refused to barter for the usual worthless trinkets.  Vancouver’s magnificent Trader Vic’s outpost (pictured above) had been razed.  The city’s other Tiki jewel, the Waldorf Hotel’s Polynesian Room, was still intact — but shuttered, its bamboo walls, carved menehune columns, and saucy Leeteg canvases all under lock and key.

We returned to Vancouver this year, and found that so had Tiki.  During the Tales Of The Cocktail On Tour roadshow whose coat-tails we rode in on, we learned that the Waldorf’s Tiki bar is now back open, and back to serving drinks in coconuts.  The city’s burgeoning craft cocktail movement has also embraced exotica:  at West Restaurant, David Wolowidnyk sweetens his Mai-Tais with home-made orgeat; at the Tales On Tour closing party, the Revel Room’s Robyn Gray made a delicious tikified Rum Crusta swizzled in a Ku warrior mug.

But our peak tropical drink experience occurred in the unassuming basement bar of the Calabash Bistro.  This is the lair of mixologist Jason Browne, a U.K. transplant who has transplanted and transformed faded old West Indian standards like the Yellow Bird and the Dark & Stormy.  Particularly the latter.  The original Dark & Stormy — a two-ingredient yawn of a drink — always seemed to us less like a cocktail than a mistake.  (“Hey, who spilled rum in my ginger beer?”)  But Jason infuses the rum with crystalized ginger, adds a welcome measure of lime juice, and spices his bespoke ginger beer with cinnamon, clove, star anise, green cardamom, nutmeg, vanilla, and the zest of lemon, orange, and lime.  As the locals chant in their native rituals, “O Canada!”

CALABASH BISTRO

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THE RUM RAT PACK

In a rare burst of energy, the Beachbum has hand-picked four of the world’s most entertaining rum authorities and brought them together, for the first and only time, to celebrate Tiki’s favorite spirit. The Rumposium — a part of the Hukilau four-day Tiki festival, June 9-12 — will be a rollicking ride down the rapids of a river of rum, an exhaustive and literally explosive look at rum in history, rum on the high seas, rum in Tiki drinks, how to pair rum with food, how to pair rums with each other, how to keep zombies away using rum, and how to use rum in Zombies.  Don’t miss the cocktails, the tall tales, or the gunpowder test!

The Rats range from London (Ian “Rum Ambassador” Burrell, globe-trotting rum evangelist and founder of UK Rumfest) to San Francisco (Martin Cate of Smuggler’s Cove, winner of Nighclub & Bar magazine’s “Cocktail Lounge of the Year” award) to New Orleans (Atlantic magazine cocktail columnist Wayne Curtis, author of the rum bible And A Bottle Of Rum, and Stephen Remsberg, owner of the world’s largest rum collection).

This is a one-time-only event, exclusive to the Hukilau.  We won’t be herding these cats again!  For more info:

THE HUKILAU

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JULEPALOOZA

Late last year we found ourselves in Berlin’s Stagger Lee bar with our pal Don Sling.  We’d wormed our way in at closing time to sample the bar’s vaunted Stagger Lee Julep,  but bartender Konstantin “CoCo” Prochorowski (pictured above) would have none of it.  At that late hour, he wasn’t about to serve us one julep.  He was about to serve us three.

The Stagger Lee Julep turned out to be a mix of whiskey, cherry jam, and mint, garnished with a brandied cherry cured in cinnamon, clove, and anise.  Nice, but CoCo hit us where we live with his next round:  a Rum Julep, made with Pusser’s Navy Rum, apricot jam, and Bitter Truth apricot brandy, served with pieces of dark chocolate.  Nibbling on the chocolate between sips, we profited handsomely from the symbiotic relationship between rum and cacao, which ranks right up there with the mutualism of clownfish and sea anemone, bee and blossom, and barfly and yeast.

But CoCo — who, we learned, had come to Germany from Kiev at age four, speaks many languages, and would soon migrate to London — was saving the best for last.  This was a Tequila Julep (Gran Centenario tequila, Agavero agave liqueur, and agave juice) with the most unexpected, and unparalleled, garnish we’ve ever seen:  a tray laden with menthol snuff, a plug of chewing tobacco, and a cigarillo.  These three items not only enhanced and amplified the flavor of the drink, but had the added benefit of making us feel like we were in a Sergio Leone western.

Not even Leone’s homicidal saddle tramps could survive three stiff juleps in quick succession, however, so we mosied back out into the night.  Only it wasn’t night anymore.  Dawn had broken, and someone had stolen our horse.

STAGGER LEE

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RAISING THE DEAD IN FLORIDA

The Beachbum spent ten years tracking down the original lost recipe for the Zombie.  Why?  From the end of Prohibition to the dawn of Disco, the Zombie was the world’s most famous drink.  It kick-started the whole Tiki craze, and put Don The Beachcomber’s Hollywood bar on the map.  Inventor Donn Beach kept his original 1934 recipe a closely guarded secret for decades — and when the Bum finally tracked it down, the recipe was in code.  Join him April 25 at Fort Lauderdale’s historic Mai-Kai restaurant for an hour of Poly Pop history.  While sipping samples of vintage Zombie recipes, you’ll learn why this legendary drink was the toast of the Hollywood movie crowd, how it made headlines across the globe, and hear the true-life detective story of how the recipe’s secret code was finally cracked.

But wait, there’s more:  A Zombie cocktail contest follows, and as long as we’re all at the Mai-Kai, it would offend the gods not to stay for dinner and the restaurant’s famous floor show.  Details:

ZOMBIE JAMBOREE

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LONDON FOG CUTTERS

London bartender Rikki Brodrick spent the better part of last October’s Rumfest UK assembling a cement mixer.  The plan was to wheel it onstage to mix the world’s largest Pina Colada, but before that could happen, Rikki had to decode the inscrutable instructions and screw the machine together.  When he finally finished, with seconds to spare, there were still two bags of nuts and bolts on the floor.  “Wonder what those are for?” he asked.  He got his answer on stage, when gallons of coconut milk, pineapple juice, and rum leaked out of the machine in torrents — and audience members rushed the stage with straws in hand, in a valiant effort to keep as much of the drink as possible from staining the carpet.  Manchester Tiki bartender Lyndon Higginson displayed a similar talent for construction with the giant Fog Cutter mug he built for Rumfest.  “I made the thing so big I couldn’t get it out of my house,”  he told us.  “I had to remove the door to push it through!”

At least one British attempt at Tiki construction had a happy ending.  At Trailer Happiness, Rikki’s Notting Hill bar, a drink of his called the Jack Fashioned — Demerara rum, cigar-infused maple syrup, Benedictine, Angostura bitters — came with a chocolate moai garnish that was a marvel of engineering (pictured above, photo by Rene Van Hoven).

The chocolate put us in mind of Willy Wonka, which put us in mind of Tony Conigliaro.  The latter is often compared to the former, and we found out why on our first visit to Tony’s bar, 69 Colebrook Row.  Upstairs is a drink lab that rivals Wonka’s factory, with gleaming, whirring machines that can actually remove the alcohol from a spirit, and then put it back again.  Another of Tony’s experiments — aging cocktails as you would wine or spirits — yields truly spectacular results.  Downstairs in his cozy, convivial saloon, we sampled an El Presidente aged six months, and another aged a full year; after a palate-cleansing house Mojito sorbet, presented on a spoon by courtly Colebrook barman Marcis Dzelzainis, we assayed a one-year Manhattan and a six-year Manhattan.  All four barrel-aged drinks tasted as if the individual ingredients had merged on a cellular level, in a kind of reverse mitosis:  the aged Manhattan still tasted like a Manhattan and the Presidente like a Presidente, but both cocktails seemed to be composed of a single ur-ingredient — one that sprang whole from Zeus’s thigh, like Dionysis himself — and not a composite blend of vermouth, bitters, and base liquor.  On our next visit to 69 Colebrook Row, we fully expect to see Donn Beach conversing with Madame Curie — both reanimated by the newest miracle potion from Tony’s lab (pictured below, with Tony at work).

If 69 Colebrook Row suggests that alchemy is not dead, Kanaloa proves that neither is vaudeville.  Theatricality was a hallmark of midcentury Tiki, when sarong-clad Mystery Girls brought smoking Mystery Bowls to customers at the sound of a gong, but Kanaloa barman Dan Redman-Hubley takes the tradition to new heights.  When we first met him at Rumfest, he was a reserved, scholarly gentleman in a tweed three-piece suit.  But put  him behind a Tiki bar, and you understand why his nickname is “Double-Barrel Dan.”  Kanaloa is a beautifully appointed, upscale Polynesian palace, but that didn’t stop Dan from morphing into a whirling dervish before our eyes, a manic, volcanic force of nature who vaulted over the bar like an Olympic track star to greet an arriving customer with a kiss on both cheeks and a booming “ELLO DAHLIN’!”  Shaking a drink in each hand, flaming a Tiki bowl by literally breathing fire on it, all the while keeping up a non-stop music hall patter, Dan delivered a command performance for the price of a drink.  (And a very nice drink it was:  the Nui Nui-Ni, Havana Club 7-year rum infused for two weeks with tobacco, mixed with Carpano Antica vermouth and a house “Nui Nui Syrup,” then shaken and strained over an ice ball.)

At the Savoy Hotel’s American Bar, the 1960s soundtrack music didn’t seem ironic at all, given the room’s sleek white-on-white movie set decor.  To the themes from The Odd Couple, The Man From Uncle, and Batman (the good one, by Neal Hefti), we soothed our Rumfest hangover with the liquid stylings of mixologists Ladislav Piljar and Erik Lorincz.  Particularly helpful was a restorative Erik calls the Officer’s Nitecap (lime, lemon, pimento liqueur, and agave syrup mixed with three rums; pictured above, with Erik).

At Jake Burger’s Portobello Star, we had a hard time picking a drink from the Tiki-tinged menu.  Finally we settled on a punch called The Three Toed Sloth.  Why?  Because it’s called The Three Toed Sloth.  Recipe: 50 ml (1 2/3 ounces) bourbon, 20 ml (2/3 ounce) each apple juice and fresh lemon juice, and 10 ml (1/3 ounce) each vanilla liqueur and cinnamon syrup, served over crushed ice in a rocks glass.  Garnish with green apple slices, mint sprig, and a pinch of powdered allspice.

If veteran London barman and ex-Soho resident Glenn Hooper invites you on “a quick ten-minute tour of my old neighborhood,” prepare for four hours well-spent.  Remember that Goodfellas tracking shot following Ray Liotta and Lorraine Bracco as they enter a nightclub, with obsequious waiters smoothing their way, and a table, chairs, and drinks magically appearing at their approach?  That’s pretty much what it’s like entering a Soho bar in the company of Mr. Hooper.  The scene was repeated at Bar Floridita, LAB Bar, El Camino, and Casa, where house mixologist Renaud de Bosredon served up his memorable Caribbean Winter Cooler.  Recipe: 20 ml (2/3 ounce) sweet vermouth, 1 dash sugar syrup, 2 dashes Angostura bitters, and 45 ml (1 1/2 ounces) each Appleton V/X rum and Renaud’s homemade spice infusion (1 liter of water, half an orange cut into chunks, juice of two lemons, 6 pinches cinnamon, 40 ml ginger syrup and 50 ml honey, all kept refrigerated in a soda siphon).  The overall mix is thrown with ice, served in a coupette with an orange peel.

UPDATE:  We just learned that Rikki has left Trailer Happiness and Dan has departed Kanaloa.  But everything below is status quo:

69 COLEBROOK ROW

SAVOY AMERICAN BAR

PORTOBELLO STAR

CASA

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